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Saturday, May 19, 2012 at 5:54AM 
For six years now, The Black and White Spider Awards has celebrated the photography of professional and amateur photographers in such diverse categories as abstract, advertising, nature, nude, photojournalism and still life. It's a wonderful source of inspiration, and certainly worth a look.
Monday, May 14, 2012 at 6:08AM 
In making photographs, our normal inclination is to make the horizon level. And in fact, many cameras now a menu item that allows the display of a built-in level to assist with that.
But sometimes, skewing the horizon line in the photograph can add impact to an image. In cinematography, Dutch angle means tilting the camera to create a sense of exoticness or unease. It's a technique that has been used often in film, and photographers use the technique as well. Beyond the pyschological effects it can engender, I like to use it to add more of a graphic quality to the composition, or make an image seem more candid. Just look at the image at the top compared to this image.
And here are a couple of other examples of using the Dutch angle.
So the next time you do a shoot, play a little bit with the horizon line. You may find doing so adds a new and interesting angle to your work.
Sunday, April 29, 2012 at 8:10AM 
Making a great portrait can be challenging and fun. Challenging because you want to capture the personality of the person you are photographing. And fun because it gives you an opportunity to think creatively.
Diane Arbus, the well-known photographer would confront a person with her camera and intentionally not take a picture for a few minutes. Her belief was that people would drop their guard and revel more of themselves as time wore on. The picture above is a good example of that.
Almost the polar opposite of that would be to photograph someone in a captured moment that shows personality. In this case, the way the blanket is wrapped around her and looseness of the hair adds to the sense that this is an adventurous playful soul.
There are infinite options in between. Just get out there and play.
Sunday, April 8, 2012 at 1:36PM 
It's been almost three weeks since I've had my Canon 5D Mark III camera, and I'm very pleased with it.
As I mentioned in my last article, the key concern I had with its predecessor, the Canon 5D Mark II was the number of focus points. With the new system of 61 points, 41 of which are cross-type, there is rarely a time that I cannot place a focus point right on my subject. Especially since they cover a larger area of the viewfinder than ever before. Here's an example where the new system worked well where the old one did not. I used spot AF on the Alexandra's eye using one of the focus points at the far left of the viewfinder.
The other area of concern with the Canon 5D Mark II and even the Canon 1D Mark IV was the tracking mechanism for subjects that are moving. The new Canon 5D Mark III has a separate tab in the menu just for Auto Focus (AF), and in the submenus there are lots of options to tailor the AF to the exact scenario you are in. What's nice is that the first submenus give you case studies of likely situations you might find when trying to track a subject. You then can pick which seems the most appropriate and go with that. I found this to be very successful. But if you really want to fine tune, you can go into the submenu and tweak the system even more. Rather than get into the details, I'll list several resources from the Canon website later so you can look at these materials yourself. That said, here are a few examples where I found the tracking to be superior to past cameras.
Someone entering the frame. The camera tracked from the instant Zach entered and followed him every step of the way.
A planned movement where speed and direction where predictable. Zach started at the waterline, and I tracked him as he walked toward camera.
An unplanned movement where someone moved in a erratic way. Cassie was running along the shore, dodging waves as they crashed on the shore.
What else to say about the camera?
The camera is beefier. I have big hands, but I was surprised that the Mark III actually feels large in my hands. It's not a problem, just something to be aware of.
I like the new Menu arrangement with submenus within each tab. It feels better organized to me, though it can sometimes take more time than I would like to get from the first Setup tab, through all the submenus in AF tab to get to the Playback tab.
I like the fact that there is a lock on the mode dial now. When I am shooting on location and moving from place to place, I generally sling the camera over a shoulder for the walk. With the Canon 5D Mark II, it was pretty much guaranteed that the mode dial would move away from the setting I wanted. And in the middle of a shoot, with lots on my mind, I'd sometimes forget to check before starting on the next setup. No longer something to have to remember. Thank you, Canon.
I like the fact that I can use the same batteries that I have for my Canon 5D Mark II and Canon 7D in the new camera as well. There are so many little parts and pieces to pack, it's nice not to have separate batteries to add to the clutter.
Overall, I'm extremely happy with this new camera. So much so, that the older Canon 5D Mark II will probably go up for sale this week.
Description of the Canon 5D Mark III on the Canon website.
Canon has some great information about the Auto Focus system in their Canon 5D Mark III AF guide.
Saturday, March 31, 2012 at 10:45AM 
I've had my Canon 5D Mark III for ten days now, and after three large assignments, am able to share my first impressions.
But first, the back story. Over the last few years, the Canon 5D Mark II has been my primary camera. It's been a real workhorse, creating lovely images for my commercial clients and for gallery prints up to 30x40 inches.
The only real issue I had with the camera, though, was the focusing system. Not that is wasn't accurate, it's just that it did not have enough capability for the lifestyle work I do. With only 9 AF points, I often found my subject was not being read. That meant I would have to change to manual focus to get a sharp image. In addition, with lifestyle there is bound to be a lot of movement. Tracking was just not something the 5D Mark II was designed to handle well, so I often had to rent a 1D Mark IV to handle those situations.
Enter the new Canon 5D Mark III with lots of important improvements over the Mark II.
First, the Mark III has 61 focus points compared to 9 of the Mark II. Of those, 41 are cross point sensors which are able to read both vertical and horizontal contrast and detail for focusing.
61 point AF layout with the 41 cross-type points highlighted
In addition, the Mark III sports high precision AF points. By design, each AF point has two sensors. By moving these apart in the high precision AF point, there is 2-3x greater accuracy than that of a normal sensor.
More great changes. 21 cental AF points are cross-type with lenses f5.6 and faster. And the central 5 AF points are diagonal cross-type and high precision with lenses f2.8 or faster.
Plus, in the smaller grouping of sensors to the left and right of the central area, there are twenty high precision AF points that work with lenses f4 or faster. I love this because I use the 70-200 f4L IS for my lifestyle work. So I get high precision with a lens that is half the size and weight of the 70-200 f2.8L IS. The image above was shot using the high precision AF points in the left side grouping of sensors. It's something I could not have captured with the Mark II.
Another key improvement in my mind is that the AF points now cover 53% of the viewfinder vs 41% in the Mark II. What that means is that the AF system covers more area to the sides in a horizontal composition and top to bottom in vertical one. My fantasy is that at some point cameras will have AF sensors throughout the whole frame, but that is not possible with current camera design. Increasing the coverage to 53% though is a big help with the subjects I shoot and for the way I like to compose.
There's lots to talk about, and I'll be posting more about the capabilities of the camera as I do more editing from these jobs. I'm excited to share what I've learned.
