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Wednesday
Aug012007

Look for Color

There are so many ways to look at color. Of course there is the obvious scene bursting with vibrant, rich color like this image of an athlete.

But you also want to be on the lookout for times when color is subtle, even close to monochromatic. Here’s an example of how a foggy day can create soft, romantic light and a dramatic high key image. In fact, one of the best suggestions I can make to be grateful for rain, snow and fog. They create marvelous opportunities to capture color in unusual ways. Just be prepared to protect your equipment, and yourself, from the elements.

Wednesday
Aug012007

Watch Your Angle of View

Changing your angle of view can have a big impact on your photographs. In the first example, the picture is shot from eye level, which would probably be the first inclination you would have in taking the photograph. And the subjects were just asked to stand in the field, also the simplest and most common approach that comes to mind in that situation. The result is that your subjects seem distant, not only because you are taking in so much visually, but also emotionally, since you are looking down on them.


But by asking the subjects to sit on the ground, bringing the camera down to just below their faces and coming in closer, you can create a more intimate, warm and engaging portrait. That's because by bringing the camera to below the subjects, you not only are looking up to them literally, but pychologically as well. It's a wonderful tool for creating emotional punch, one that works in the reverse as well. Shooting from an extreme high angle creates the pyschological impression of looking down on the subject.

So the next time you shoot a portrait, resist the urge to just point and shoot. Instead, have fun playing with the angle of view, either high or low, for more impact and to make more of a statement.

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